Canyon – music brings us together

Thank you James for sharing this lovely short video. I remember reading somewhere that the music that defines us, or that we "really get" is the music we hear in our twenties. This leads to disenchantment in later years because everything's changed, and it's not the same "as the good ol' days".

The thing is, you're not the only one who loves that music, and that's a wonderful bonding experience. A recent episode of First Dates Ireland (yes, yes, I'll watch it sometimes) featured a couple who bonded over music, only as friends but they now had someone to go to gigs with. Unfortunately this clip doesn't show any of their banter about music, but it's the only one I could find of them!

And this is the only time you'll read about First Dates Ireland on this blog, I promise!

Etch a Sketch, a Tribute

My colleague Mark found this amazing tribute to the inventor of the Etch a Sketch, André Cassagnes. It’s some sort of magic I think because I could never draw anything on one. My son recently bought “the smallest etch a sketch in the world” which is a tiny device but he’s having fun with it.

Then there’s this amazing artwork done on the little red box. How?

If you want to know more, the Wikipedia page on the subject has tons more information.

Frank Kelly’s 12 Days of Christmas

Is it too late for Frank Kelly’s parody of 12 Days of Christmas?

Frank was probably best known as Father Jack on the show Fr. Ted, but I came across him first on an old vinyl record of his stories. He also produced many comedy sketches such as this one:

And he features in this clip of Yu Ming is Ainm Dom:

Watch the full short movie here:

A great talent who died earlier this year.

Under Pressure Studio Take

A version of Queen and David Bowie’s Under Pressure you might not have heard before.

You can hear some talking in the background. From the title I thought this was made during the recording of the song but comments on this video and another video say it’s from radio interviews. Anyone know?

Here’s a great article on the making of the song.

Though the band sounds lighthearted enough in the studio sessions, the songwriting, May remembers, was fraught with tension. “It was very hard,” he said in 2008, “because you already had four precocious boys and David, who was precocious enough for all of us.” Bowie, says May, “took over the song lyrically” and insisted on presiding over the final mix session, which “didn’t go well,” according to Queen engineer Reinhold Mack. For his part, May has said he would “love to sit down quietly on my own and re-mix it.”