Photography Links and stuff

The May issue of the Digital Journalist is now available. Unfortunately they don’t have a direct link to that issue but delve into the archives for past articles.

Digital to Analog – an essay exploring the transititon from film to digital. The author laments the attitude novice photographers have these days – it’s digital, it’s somehow “better” than film, but we’re “picture builders”, not “takers”.
I agree with him to a certain extent, but the freedom afforded to me by the digital medium and a half-decent camera has helped me get much better in my art.
I understand completely how choosing a simple camera, without automatic controls of any sort, will force a photographer to learn “how” to take photographs properly. When I want to experience that I simply set my camera to Manual mode and I get a lot more control over the camera. That doesn’t help my technique or eye of course. That comes with time and practice and I think I’ll never stop developing that!

If you consider a picture as a frozen moment in time… Can you alter that moment? Yes and no. Yes, you can tweak the image in a darkroom or in Photoshop… But more importantly: you can never capture THAT moment again.

Will Digital Images Last?

Only this morning I searched through my 35mm photos for photos from my holiday in Barcelona and I had to smile or grimace as I flicked through several years of photos – Paris, Spain, Chicago, Ireland.. All memories, good and bad. That’s fine for a once in a while trip down nostalgia lane but searching my digital images is easier.
Lance Ulanoff asks, Will Digital Images Last? in this PC Mag article. My 35mm snaps all fit in a small box but my digital archive already requires 3 DVDs to backup. What do we lose by not having the tactile feel of photos?
(via Photography Blog)

The Missing Digital Photography Hacks [May. 11, 2004]

Here’s a couple of interesting digital camera hacks. The first one, an explanation of how the camera histogram works, is something I kept meaning to learn about for a while now!

What you want to be leery of is when the graph information bunches up on one side or another. A graph heavy to the left usually indicates underexposure with the image appearing dark (move exposure compensation to +1). If everything is scooted over to the right, that often indicates overexposure with blown highlights and washed out shadows and midtones (move exposure compensation to -1).

Later… There’s another 10 hacks on the book sample page!